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That is very clear.

We have talked about cross-parliamentary liaison before. For example, we have the parliamentary focus with UK parliamentarians talking to the European Parliament—we are in the room, but we do not have speaking rights. Should committees in different UK Parliaments have such conversations among themselves, given the sheer weight of potential legislation, to share best practice or concerns?

That is really helpful. My observation is that, if you look at this committee, we do not all have the same politics, but we usually find that it is possible to agree on things that we might not personally agree on, because we have the capacity to at least have those debates.

That is a very helpful summary. On one level, it is a case of building on success. I find the privatisation proposal hard to understand, particularly given that Channel 4 is successful for the whole of the UK—it is almost like levelling up in practice. You provide evidence that it works to spread investment across the UK.

Can you briefly talk about the importance of the quality of film production on the ground in terms of the people in the film sector, the artists and the people behind the cameras? Other witnesses have told us about the impact of the diversity of Channel 4’s programming. You have won a number of BAFTAs. Do you want to say a bit about the success of the film side, which is critical, given the difficulty of doing film production, because it is very expensive? Although you operate in a not-for-profit context, you manage to make a profit. Could you say a little about that?

That comes across clearly. It is not often that we get witnesses saying to us that a proposal will be a catastrophe, so thank you for that clarity. Nicole Kleeman, can you make a comment on the quality of films being made in terms of British Academy of Film and Television Arts wins? These films are not just being churned out; we are talking about award-winning, culturally impactful films that employ people—not just actors, but people in the wider system that make those films work. Can you give us a comment on the quality and what there is potentially to lose in that regard?

That is equally useful in terms of the wider civic impact of Channel 4.

David Smith, can you give us a comment in relation to film making in Scotland, touching on that issue of quality and also the staffing issues and the behind-the-scenes impact for film making of having private production companies in Scotland?

That work will continue to be a critical part of the industry. You create jobs and talent and offer diversity that we do not get from anywhere else. What you do is really impactful.

It comes out very clearly that, at the moment, Channel 4 is doing well in terms of production across the UK. It makes a profit. I want to focus particularly on the film sector, because the films that are produced and commissioned by Channel 4 appear more diverse but they also appear to be award-winning across the UK. Can you comment on that aspect? It feels like there is a huge potential loss here, if you look at the impact on the companies that potentially would take over, because it appears that they would lose some of their own internal production. It feels like a lose-lose for everybody in terms of geography, private businesses and quality. John McVay, do you want to kick off first? You have quite a lot of evidence.

It has been good to hear your evidence today. I was struck when I read the justification for privatisation from Nadine Dorries. She said that it would

“give Channel 4 the tools and freedom to flourish and thrive as a public service broadcaster long into the future.”

The evidence that we have had today is that, although you are not for profit, you make money—you made £74 million last year that was reinvested into the sector—and we have had a lot of evidence about the positive impact that you make in Scotland in production, in the quality of filmmaking, in training and skills, and in diversity.

To kick off, Alex Mahon, could you put on record for us today what Channel 4 has presented as its alternative to privatisation? I understand that you have given that feedback to the Department for Digital, Culture, Media and Sport, but it would be good to get it on the record how you would want to continue to deliver the success that you have had in the past.

It was very useful to get your written evidence. I will ask you a couple of questions about the timing. I understand that, when asked, almost one third of the population was not aware of the census particularly given the change of timing to look at the digital issue. My understanding is that, when the 2021 census was carried out in the rest of the UK, there was a safety net approach to try to include people. You made a big deal of the digital response rate, but to have to send out 600,000 paper forms is not going for the safety net approach to target areas of lower-income households and a disproportionately older population, and also rural areas.

Can you give us a comment about that, and can you give us comparable statistics on local authority turnouts in terms of households and individuals? I am making sure that the local authority turnout data that we have is comparable. How are you going to go below the local authority level to make sure that people who did not respond to the census, or areas where people did not respond disproportionately do not miss out? Will you be producing evidence or analysing the census output areas so that we get accurate knowledge about who has missed out in the census?

It does not quite answer the question, because I was asking for the comparable figures from local authority level data for the 2022 census and the 2011 census. I am particularly interested in credibility. I have looked at the statistics, and I want to double-check that my interpretation is right. The gap is significant—for example, the figure for West Dunbartonshire was 11 per cent down from 2011. However, I want to check that I am using the right figures in terms of households and individual responses.

I want to go back to the information about people not knowing about the census or their personal responsibility. There would be even more of an impact if, several weeks into the census programme, a third of the population were still not aware of their obligations or the impact of the census.

All that goes back to the credibility of the 2022 census, given the aspirations to hit a response rate of around 94 per cent. What do those figures do for the effectiveness and usefulness of this year’s census?